Wool Carding, Dying, Felting and Weaving {Homestead Studio Recap}

For the last three Mondays, Lil and I explored wool with five children aged five and up and several adults. In a new class format I'm calling Homestead Studio, we use what we know and wonder about to guide open-ended exploration. Books help fill in the stories we can't experience in an hour-long session. raw dirty wool

Week One: Washing & Carding

During our first meeting, we met our wool: raw Navajo-Churro fleece from Cota Farms. The fiber was primarily white with some dark sections. Touching the raw wool left our hands softened (and a little smelly) from the lanolin.

To remove the ample dirt (poop) and plant material, we washed the wool. Cleaning wool is tricky - too much agitation and you'll end up with felt instead of fiber. We soaked the dirty wool in warm water with Dawn soap inside a mesh bag. An amazing amount of soiled material streamed from the wool into the water. After a long soak, we moved the mesh bag to a bucket of warm clear water for a rinse. Then we removed from the bag and let it dry in the sun.

Next, we picked remaining plant material out of the clean dry fibers. We aligned the fibers with carding combs. Using the combs was difficult for some of the children because it requires coordination and a fair amount of strength.

We ended the class with a walk through the neighborhood looking for pokeweed. At home, I made dye from the pokeberry fruits.

The picture book for the day was Farmer Brown Shears His Sheep: A Yarn About Wool. The kids loved this silly cartoon-illustrated story of a farmer who makes knitted sweaters for his sheep.

felt drying

Week Two: Felting

I presented pokeberry scarlet, natural black, and natural white wool for felting during our second session. Each participant had a small plastic container filled with warm water and a little soap. They wet and rubbed a small piece of white wool to create a mat or ball, adding wool to make the piece larger. Some chose to add color details on outer layers; some felted around plastic balls to later cut open for bowls.

After everyone had some experience felting, I offered bars of locally-made soap. When a bar is covered with felt, the wool provides pleasing color, an exfoliating texture, and an easy way to grip the slippery soap. Participants of every age enjoyed felting.

Weaving the Rainbow concluded our felting day. Soft, detailed watercolor illustrations tell the story of an artist using dyed wool to weave and felt a landscape wall hanging in this book.

pink pokeberry dyed wool

Week Three: Weaving

Finally we made our way closer to a sweater, what most kids said they wanted to make at the beginning of the Studio series. We made fabric from wool.

Lil showed the others how to finger knit. This required too much coordination for some of the group but others completed a small rectangle of knitted fabric.

I made available two looms: a plastic, craft store version and a homemade cardboard box loom with a cardboard shed. The plastic loom used a long dulled needle to weave and the cardboard box used shuttles. Everyone tried both looms and realized quickly why hand-woven garments are so expensive - we barely created four inches of fabric in the whole class.

A few kids tried branch weaving. We wrapped wool horizontally across a v-shaped tree branch for the warp and used needles to pull yarn through as weft. These came out a little funky but I love the haphazard natural look.

We finished the class with Charlie Needs a Cloak by Tomie de Paola. Young shepherd Charlie shears a fleece, dyes the wool with pokeberries, spins yarn and weaves himself a new coat with a meddling sheep companion.

Join Homestead Studio!

The next Homestead Studio will be Mondays November 12-26 from 2-3 pm at City Folk's Farm Shop. We'll make home goods like cleaners, bath and body products, and candles from all-natural materials and scents. The projects are geared to appeal to children ages five and older and adults alike. Register on the Homestead Studio page.

Harvesting Color from Weeds: Pokeberry Dye

dying wool with pokeberry When I wanted a natural dye for the Homestead Studio: Wool class, I turned to the library and discovered Harvesting Color by Rebecca Burgess. The book, arranged by seasons, is a field guide for making homemade dyes from plants with descriptions of plants, their native locations, and how to make them into dye. Each step is illustrated with clear, engaging photographs.

Autumn features a bright red wool dyed by pokeberry, also called pokeweed, pokeroot, and just plain poke. This weed litters our alleys, some plants reaching upwards of seven feet tall.

poke berry in alleypicking poke weed
Alex, Lil and I collected several pounds of berries on a walk and juiced them by hand. Eating the berries or seeds may be toxic, but many herbalists believe they have antirheumatic properties. The juice stained our skin but washed away with a few soapy scrubs.

pulling berries off for dyecooking wool in pokeberry dye

I cooked the juice, skins, and seeds with some water and vinegar (1/2 cup per gallon) for an hour, being careful not to boil per the book's directions. Then I let the mix cool and steep overnight. I strained out the seeds and added washed, carded Navajo-Churro wool from Cota Farms. I cooked the wool in the same way as the dye. After it cooled and steeped, I rinsed the wool in several pots of fresh water. Throughout the process I was careful not to agitate the wool so it stayed fluffy instead of felted.

wool dyed with pokeberry

The resulting wool is the color of a sunrise with tangerine and pinks. I repeated the process for a second batch, one which ended up a more evenly dyed crimson red. We used some of the colored wool to felt soap at the Homestead Studio. You can see Lil's bar with natural white, natural black, and pokeberry-dyed crimson wool.

felted soap with pokeberry dyed wool

The pokeberry wool project represents so much of what I love about my crazy homesteading life. I took a local, seasonal item, played around with lots of time and some effort, and created something beautiful and useful. By taking an idea out of a book, I learned more than words could teach me.

This type of learning always leads to more questions. I wonder if the dye might work on cotton or silk. And why did one batch turn out so much more intensely colored than the other? Can I grow indigo and make blue dye next year? Maybe I will play with weeds again and find out.

Have you ever made natural dye?